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theatre review

Review

Review: Vivid

Giselle Au-Nhien Nguyen At my parents’ house sits a shrine to our ancestors. There are photos of people I loved, and people I never knew: my grandmothers, grandfathers, the greats and the greats before them. Every morning, my mother kneels and prays. She closes her eyes and hums tunelessly, lighting sticks of incense. The air fills with their  ...

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Review

Review: Romeo is Not the Only Fruit

Gem Mahadeo Stabbed. Sacrificed. Strangled. A sparsely adorned stage, three queer actors of colour (Pallavi Waghmode, Sasha Chong, and Nisha Joseph) as potential wise crones strike poses reminiscent of Destiny’s Child, though they function largely as bawdy Shakespearean chorus wit and cheek throughout Jean Tong’s musical production, Romeo Is  ...

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